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REVIEW | MONSTER

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I first got into film music through the symphonic sounds of John Williams, the London Symphony Orchestra and the lyrical themes heard in STAR WARS and INDIANA JONES.  But there are rare occasions where I feel like getting away from that “sound” to hear something a bit more atmospheric, more simplistic and easy on the ears.  CRASH by Mark Isham and THE DIG by Michael Land come to mind.  Another score that I turn to when wanting to abandon the sounds of the symphony orchestra is Brian Transeau’s highly underrated gem to MONSTER. Guitars, drum kit, cello and synth-pading. That’s it and sometimes that’s all I want to hear.

I returned to this album last year for the first time since it’s initial release in 2003.  Since then I’ve spun this score numerous times and have been rewarded each time with an intelligent, creative, well structured and well thought out album. The score has a natural, easy listening flow that is highlighted by a highly memorable main theme that is heard a handful of times on the album and gets its best performance in my two favorite cues; the brilliant “The Ferris Wheel” and during the heartbreaking finale.  The theme is magnificent (usually performed on piano) and makes its debut on the album during “The Bus Stop” cue.  It’s so simplistic yet so extremely powerful.  It’s one of my all time favorite themes!


NOW PLAYING: “The Ferris Wheel” | Monster | Brian Transeau


This is a score that worked beautifully in the film and works as a perfect stand alone listen. Give it a chance!

MONSTER | dts Entertainment 1112 | 2003

This Post Has One Comment

  1. Jorn Tillnes

    Love this score and specially the cue ‘Ferris Wheel’ which is truly a heartbreaking and wonderful emotional moment in my life and film music in general.

    I haven’t heard much praise for this score, but I am sure glad someone notices!

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